MODERN & CONTEMPORARY WORKS ON PAPER

Expert Paper Conservation for Modern and Contemporary Art in NYC

Novak Studios is a private conservation practice in New York City devoted to modern and contemporary art on paper. We treat prints, drawings, watercolors, and mixed-media works for private collectors, galleries, auction houses, artist foundations, and institutions.

The Novak Studios conservation studio at 401 Broadway, New York

The studio is directed by Adam Novak, who holds a Master of Science from the Winterthur/University of Delaware Program in Art Conservation and has spent more than twenty years in the field.

That includes seven years at Harvard — in special collections conservation at Harvard Library and as a fellow at the Harvard Art Museum — and a fellowship at the Fine Arts Museums of San Francisco.

Full credentials →

WHAT WE CONSERVE

Our work is confined to a single material class, and that focus is deliberate.

Paper is a structurally active support: it responds to humidity, light, atmospheric pollutants, and the adhesives and mounts applied to it over decades. Modern and contemporary works compound this — synthetic media, unstable colorants, coated and engineered papers, and materials the artist never intended to last.

WE TREAT

  • Prints and multiples, including screenprints, lithographs, etchings, and monotypes

  • Drawings in graphite, charcoal, chalk, ink, and pastel

  • Watercolors and works in gouache

  • Acrylic and other synthetic media on paper and paper-like supports

  • Mixed-media and collage works on paper

  • Bound volumes, artists’ books, and archival material on paper

We do not treat paintings on canvas, textiles, or photographic materials. When an inquiry falls outside our specialty, we say so and refer it to a conservator who works in that area.

Paper fibre and mill watermark, detail
Scalpel, brushes and bamboo spatula on the bench
Pulp fill in progress on the light table

SERVICES

How we work with a collection

All services →

Conservation Treatment

Intervention to repair or stabilize damage while preserving the artist’s intent. Complex, individually designed treatments prioritizing structural stability and the integrity of the original surface.

Condition Reports

Written documentation recording the state of an artwork at a specific moment — for sale, loan, insurance, shipment, or long-term collection records.

Assessments & Surveys

Verbal or written evaluation of individual works or entire collections. Identifies risks, establishes conservation priorities, and produces a sequenced plan.

Preventive Care & Light Exposure Guidance

Framing, storage, environmental, and display recommendations, including cumulative light exposure frameworks for works on paper.

WHO WE WORK WITH

We work by referral with private collectors, galleries, auction houses, artist foundations and estates, art advisors, and museums. Most clients come through people we have worked for before.

Adam has treated works by artists including Degas, Picasso, Schiele, Agnes Martin, David Hammons, and Keith Haring.

Fuller list →

Considering a treatment, or unsure where to begin?

Send a description of the work and, if possible, photographs of the recto and verso. We will tell you honestly whether it needs intervention, whether it needs intervention now, and whether we are the right studio for it.